After my initial talk with Christian Fennesz I hung around in the green room talking to him and video artist Lillevan about software, the music industry, and alternative revenue streams. Here’s what they had to say.
Peter Dines: Could you tell us about Modul8 for a second?
Lillevan: I don’t want to force anything on you, it’s just that before you think I’m just doing Jitter things…
The second A/Visions featured, among others, headliners Rechenzentrum and Thrill Jockey artist Németh.
You may know Stefan Németh from his work with Radian. At Mutek, he was joined by drummer Steven Hess of Pan American for a live performance of music from Németh’s first solo release, Film. Ironically, there was no visual presentation other than the musicians themselves. Németh performed with a modular synth that was maddeningly turned away from me so I can’t say what it was… he also looked to be triggering things with an MPC. I love seeing electronic musicians performing live with drummers or acoustic instrumentalists - when it’s well coordinated, it’s magic. This was no “here’s a click track, stick to it” sort of deal. One got the feeling that the performers were keeping a keen eye on each other and balancing the tempo on a knife edge. Great stuff.
Rechenzentrum presented the North American debut of their work, Silence. It was visually and sonically lush. The next day I got a chance to talk to video manipulator Lillevan who was also presenting his work in conjunction with the music of Fennesz at A/Visions 3 on Friday. Lillevan is a user of Cycling 74’s Jitter, and his constantly mutating visuals were a brilliant counterpoint to Marc Weiser’s audio half of Rechenzentrum. The audio spanned everything from the sound of steam engines to what I can only describe as dub by way of Esquivel.
Too much music, too little time! I’ll have something to say about performers Freida Abtan and Nokami + Sans Soleil later.
This is turning out to be an awesome edition of Mutek.
